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TV Title Sequences: The Wonder Years

I mentioned The Wonder Years yesterday, so it seems appropriate to make that show’s opening our TV Title Sequence for this week. My research — okay, the two minutes I spent perusing YouTube — indicates that the 30-second version of the opening I’ve been seeing on those nightly re-runs on the Ion channel is actually cut down from the original sequence, which I had forgotten ran much longer when the show first aired. Here’s the full-length, one-minute version as it appeared in the show’s first four seasons, circa 1988-1991:

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It’s Our Life, Man

Wil Wheaton on reports that Hollywood execs were using last week’s Comic-Con as a focus group:

For those [Hollywood] executives [who almost always seem to screw up movie adaptations of the things fanboys love], I present a very brief, very simple primer in understanding geeks: We want this stuff to be done right because we’ve lived it for our entire lives and know it better than any of you ever will. We’ve played with the action figures and written the fan fiction and crammed fifteen of our friends into the hotel room so we could afford to go to the conventions where we buy T-shirts that say HAN SHOT FIRST because, goddammit, this stuff is our lives. Before we could talk to girls, there was Princess Leia. Before we had cars, there was the Batmobile. Before we could find escape from the horrors of modren life in a bottle, we escaped into the pages of comic books and science fiction magazines.

 

These stories that you buy and put on the big screen may just be numbers on a yearly accounting to you, but they are more than that to us. To us, they are something that brings us together and makes us part of an exclusive (and frequently stinky, unfortunately) club.

I concur. The whole essay is a passionate battle-cry that’s worth reading if you’ve ever salivated at the thought of your favorite superhero coming to live-action life, only to be crushed when the movie turns out to be colossal dud like, well, 98% of the superhero movies that come out. Be warned, though — Wil can get pretty potty-mouthed when he’s worked up about something, and he’s very worked up about the upcoming movie adaptation of Watchmen

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Marion!

It’s confirmed: Karen Allen is reprising her role as Marion Ravenwood in Indy IV. Here’s a photo of the cast that was revealed yesterday at Comic-Con:

The cast of Indy IV

My enthusiasm for this project continues to grow… I think Karen looks great, and it’s good to see her alongside Steven and Harrison again. It’s like a reunion of long-estranged family members or something. Click the photo to enlarge, click through for more Indy goodness!

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Have You Ever Seen the Rain?

After a long stretch of crazy-making days in which the temperature topped 100 degrees and the humidity hovered somewhere around “Sahara,” the skies finally started taking pity on us poor Salt Lakers earlier this week. It’s rained on four successive evenings, but the first three nights saw only tentative overtures to last night’s symphony. Some areas — like The Girlfriend’s apartment complex — got pummelled by hurricance-style thundershowers and hail, but here at the Bennion Compound, it was simply a good, steady downpour, exactly the sort of cleansing, nourishing rain I’ve been craving for ages. It was accompanied by a constant spectacle of lightning that would’ve made Nicola Tesla squeal with delight, and roars of thunder that were loud enough to feel in your belly. I love storms like that…

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Another Blade Runner Update

Here’s something else I’m obsessing over lately: the upcoming DVD release of Blade Runner: The Final Cut. (Actually, I’m obsessed with the fact that all the earlier, non-digitally-enhanced versions of this movie will be made available along with this revised version, just like the fans desire, unlike a certain other highly desirable landmark film of the science fiction persuasion, whose fans apparently don’t have a voice in the matter…)

The crew from The Digital Bits is currently at the legendary Comic-Con convention in San Diego (which these days covers a lot more than just comics), and they’ve just posted up the official details of the release, including photos of the two-disc, four-disc, and “Deckard’s briefcase” variants. The details generally match what I already posted a while back, but clear up (for you non-fanatics in the audience) what the differences between the movie versions are and describe exactly which features are included in which set. I’m pleased to see that I won’t be forced to buy the briefcase full of unnecessary doodads in order to get the original theatrical cut of the movie. (I am kind of bummed that the legendary Work Print will only be available in the briefcase set, but I’ve reached a point where I just don’t need all the little premiums and the oddball packaging cluttering up my place. If it won’t fit nicely on a shelf with all the other standardized cases — reference my experience with The Big Stupid Cylon Head — then I don’t want it. And while I’m curious about the Work Print, it’s really not enough to justify the aggravation of finding someplace to store the oddball package. He said bravely, knowing there was still a good chance he’d cave and buy the damn thing anyway.)

All three variants of Blade Runner will be out on December 18th. A little late for a Christmas gift, but maybe you can buy it for yourself with the money you get every year from your favorite auntie, and watch it on New Year’s Day instead of football…

In other news, The Bits is also reporting a rumor that Lucasfilm is going to make some kind of DVD-related announcement at the con, and naturally there’s speculation that it involves the long-promised “Ultimate Edition Star Wars Saga” Set. But you guys know where I stand on that: if there’s no anamorphic transfer of the unrevised original film, then there’s no sale here.

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Amusing Birth Announcement

I’m not one to get all gooey over news of someone successfully procreating, especially someone I don’t personally know, but I thought Telstar Logistic‘s “press release” this morning was both clever and funny:

PRESS RELEASE
TELSTAR LOGISTICS LAUNCHES NEXT GENERATION BRAND EXTENSION
Genetic Technology Yields Robust, Scalable, Cute New Life
SAN FRANCISCO, Calif. – 25 July, 2007 Telstar Logistics Genetics Systems, working in collaboration with the Biological Imperative Group and Evolutionary Optimization Inc., is proud to announce the successful launch and deployment of our newest brand extension, Miel Avril Lappin.

A state-of-the-art newborn, Miel is equipped with the latest onboard diagnostic and maintenance technologies, including fully autonomic respiratory, circulatory, and waste-disposal systems, as well as pre-installed grasping and suckling subroutines. A built-in acoustic alarm alerts the executive team when ambient conditions are sub-optimal, and the user interface is calibrated for maximum cuteness.

He goes on in that vein for a bit; it’s worth a glance and a chuckle. I especially liked that bit about the acoustic alarm for sub-optimal conditions…

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The Price of Potter

OK, you know you’ve been reading too much Harry Potter when you’re proofing a technology-related document at work, you start reading a sentence that begins, “Defense against viruses,” and your mind sees it as “Defense Against the Dark Arts.”
And I’m still only on Book 5. Somebody help me…

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Klytus, I’m Bored…

Yes, I’m obsessing. We fanboys do that from time to time…

***VIDEO MISSING***

The cool thing about this clip — the opening titles from the 1980 Flash Gordon feature film, in case you didn’t know — is the artwork that appears in and among the credits. That’s taken from the original comic-strip by Alex Raymond, my friends, the medium where Flash was born. It’s neat stuff, I think, and I’d love to see a live-action movie or television series that was truly faithful to the look. That’s what I was hoping to see in the new Sci-Fi Channel series. Maybe in the next remake…

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