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The Leader of the Band is Tired…

When I heard last night that the singer-songwriter Dan Fogelberg had died, I immediately had a powerful memory flash — not just a mere run-of-the-mill recollection that’s as two-dimensional as an old postcard, but one of those strange and rare experiences when it seems as if time and space become malleable and, for just one brief instant, you are someplace else, someplace you haven’t been in a very long time. In this case, I was 13 or 14 years old, riding in the top bunk of our old camper as the truck beneath it carved through the darkness. I don’t remember where we were going, or maybe it was where we’d been; Dad used to drive the truck-and-camper around town all the time, so it might not have been anywhere special. I can’t see anything beyond the front window except a cone of highway caught in the headlights. In my imagination, the white lines flashing past on the pavement are doppler-distorted stars seen from a starship clicking along at point-five past lightspeed. I’m reading a Clive Cussler paperback, and on my amazing little Sony Walkman — that was a type of portable music player in the pre-iPod days, kids — I’m listening to a cassette of Dan Fogelberg’s Greatest Hits.

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That Sweater… Dear God, That Sweater…

So, one of the songs on that list of my favorite Christmas tunes I put together a year ago is an obscure little ditty called “Christmas is the Time to Say I Love You” by arena rocker Billy Squier. Something got me thinking about that song earlier today, so naturally I thought I’d poke around the InterWebs and see what I could come up with. I found the following clip, a “live” performance of the song Billy gave on MTV along with “the MTV chorus,” i.e., anybody around the cable net’s offices who was willing to appear on camera. It’s a fun little video, full of genuine — if goofy — cheer, and if you remember the early days of music videos and the “vee-jays” who introduced them, you’ll no doubt recognize some faces in the crowd. I gotta say, though… that sweater that Billy is wearing… oy. You’ll never find a bigger apologist for the eccentric fashions of the Reagan Years — I love and miss that decade with a fierce passion, and I’d still have my mullet and Members Only jacket if I could — but that sweater goes beyond even my pale…

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And the Planet Just Keeps Shrinking…

Further evidence of just how damn cool this InterWeb thingie really is: My old high school buddy Keith now lives in New Jersey. Today, he needed to go into The City — which us provincials refer to as “New York” and/or “Manhattan” — on business and he wanted to know where he could go for a good lunch. So what does he do? He shoots off an email to none other than Brian Greenberg, a guy Keith has never met but whom he “knows” from Brian’s comments here on Simple Tricks, and my own links to Brian’s blog. Keith explains his connection to me and his situation and then asks for a couple of recommendations; Brian, good egg that he is, immediately sends back a list of possibilities, and forwards the whole conversation to me for my amusement and/or enlightenment.

I love that this sort of thing is now possible. No, not only possible, but downright routine. There are a lot of things about life in the 21st Century that I really, vehemently don’t like — the apparent apathy of the general public towards US-sanctioned torture, a media obsession with extremely young and poorly behaved people who make far more money than I do, those little condiment packets at all the fast-food places that you can never open without getting the stuff on your hands — but the idea that someone writing a personal blog in Utah can facilitate enough of a social connection between two strangers who live on the East Coast for one of them to ask the other for a restaurant recommendation… well, I do love that.

As I said to Brian when I emailed him back, it’s like the whole country, and to a lesser extent the whole planet, is becoming one big small town, where everybody seems to know a guy. Keith, I hope you enjoyed your lunch. And Brian, thanks again for helping a guy out…

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Christmas Meme

Oh, no, not another meme! This one is Christmas-themed… you know, for a guy who so frequently self-identifies as a grinch, I seem to be doing a lot of writing about Christmas this year. Go figure. Anyway, I ganked this one from the irascible SamuraiFrog. Read on for insight into my unique holiday philosophy:

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A Whole Year, One Sentence at a Time

It’s that time again when people start trying to think of ways to summarize or recap the year that’s just winding down. According to Chris Roberson, there’s a meme going around that’s along those lines; it asks you to repost the first sentence of the first blog entry in each of the previous year’s 12 months. Well, I’m always up for a good meme, so here goes:

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TV Title Sequences: Max Headroom

You probably all saw this coming after yesterday’s entry, right? Sometimes I am so predictable… Oh, well. You gotta be what you are, right? Just watch the clip:

Mmmmmm, so very, very ’80s…

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Time is Cruel

I guess you can’t avoid the ravages of age even when you’re just a computerized simulacrum of a smart-alecky TV journalist from 20 minutes into a future that’s now only a few seconds away:

Incidentally, why isn’t the Max Headroom TV series on DVD yet? I know it was short-lived and firmly in the “cult classic” category, but surely a show as eerily prescient and ground-breaking as Max deserves its own shiny silver discs?
(And in case you’re wondering what I mean by “prescient,” the show predicted a lot of our current [then-future] society, including [just off the top of my head] “reality” TV, interactive programming, do-it-yourself video journalism, mindless consumption via credit cards and a form of online shopping, and even some of the stuff that guys like Ray Kurzweil believe is coming as part of “The Singularity“, most notably the idea of downloading a human personality into a computer. Wow… now I really want to see Max again! It’d probably make a lot more sense now that it did in ’85…)

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Official Indy IV One-Sheet

I used to be quite an avid collector of one-sheets, those oversized posters that advertise the coming attractions out in front of movie theaters. I eventually dropped the habit, partly because my interests were pulling me toward other categories of collectibles, but also because the painted artwork-type posters that I particularly loved fell out of style. (If you haven’t noticed, one-sheets for the last decade or so have mostly consisted of boring photoshopped “face collages.” Bleh. I hate those things. One is practically indistinguishable from the next; nothing distinctive or interesting about any of them.) I’m therefore very pleased to see that the powers-that-be have chosen to go retro for the official Indiana Jones and the Kingdom of the Crystal Skull “teaser” one-sheet*, which was just unveiled today:

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The artwork is by master illustrator Drew Struzan, who was one of my faves back in my collecting days. Struzan has one of the most distinctive and recognizable styles out there in the illustration world, and a great deal of his work would no doubt look familiar even to the most casual of movie-goers. He also has a long history with Lucasfilm — he’s painted many one-sheets and book covers for both the Star Wars and Indiana Jones franchises — so it’s no surprise he was tapped for this project, and it looks like he’s turned in another classic piece.

Although I haven’t collected one-sheets on any kind of regular basis in a very long time, I do still occasionally pick up those that strike my fancy. This is definitely one that’ll find its way into the fabulous Bennion Archives…

*FYI, most “big” movies — a Star Wars or Indiana Jones — will actually come with two one-sheets. The teaser comes out first and is exactly what it sounds like: an advance design that is intended basically just to let the public know the movie is coming. Usually the design on the teaser is more pared back, a single, striking image designed to generate discussion, curiosity, etc. (One of the more interesting teasers I’ve ever seen was for Back to the Future II; it was simply a black poster with a pair of fire trails like those left behind by the time-traveling Delorean receding off into the distance. No text, nothing to tell you what the flick is, unless you remembered that particular effect from the first film.) The second, or “regular” design usually comes out much closer to the film’s actual release date, and will typically feature more elaborate art and design, complete credits, etc. If Crystal Skull follows the usual Indy movie pattern, this first design — which feature Indy alone and looking heroic — will be followed by a collage showing the other characters and one or two of the set pieces from the film. Can’t wait to see it!

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Monday Morning Time Waster

Just took the “How Geek Are You?” quiz. I’m sure my score would have been higher if only I could honestly say that I had ever solved a computer problem in the shower. Sorry, but the shower is me-time, no computing problems allowed!

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