{"id":7414,"date":"2015-08-07T17:52:46","date_gmt":"2015-08-07T23:52:46","guid":{"rendered":"http:\/\/www.jasonbennion.com\/?p=7414"},"modified":"2015-08-07T17:52:46","modified_gmt":"2015-08-07T23:52:46","slug":"friday-evening-videos-better-be-good-to-me","status":"publish","type":"post","link":"https:\/\/www.jasonbennion.com\/index.php\/2015\/08\/07\/friday-evening-videos-better-be-good-to-me\/","title":{"rendered":"Friday Evening Videos: &#8220;Better Be Good to Me&#8221;"},"content":{"rendered":"<p>When I was 15, I developed a mild obsession with the song featured in this week&#8217;s video; I recall a period of a several weeks when I listened to it every single morning as I got ready for school, doing the classic lip-sync-into-a-hairbrush routine. (The fact that I was &#8216;syncing a female vocalist didn&#8217;t matter in the slightest to me.)<\/p>\n<p>&#8220;Better Be Good to Me&#8221; was the fourth single from <em>Private Dancer<\/em>, Tina Turner&#8217;s enormously successful album released in the epochal year 1984. With a tough, street-smart attitude underlying a polished pop-rock sound, the album was widely seen as Tina&#8217;s big professional comeback some eight years after the demise of the Ike and Tina Turner Revue. Songs like &#8220;I Might Have Been Queen,&#8221; &#8220;Show Some Respect,&#8221; &#8220;What&#8217;s Love Got to Do with It,&#8221; &#8220;Steel Claw,&#8221; and the title track also led to <em>Private Dancer <\/em>being read as an ode to female empowerment, as well as Tina&#8217;s personal declaration of emancipation from Ike himself (even though their divorce was finalized in 1978).<\/p>\n<p>Of course, I wasn&#8217;t aware of any of that at the time, or would have cared if I had been. All I knew was that the slinky, sexy voice of that woman with the million-dollar legs and wild hair did good things to me when it hit my ear canals. &#8220;Better Be Good&#8221; &#8212; which, honestly, I&#8217;ve always thought was a better song than <em>Private Dancer<\/em>&#8216;s (and Tina Turner&#8217;s) biggest hit, &#8220;What&#8217;s Love Got to Do With It?&#8221; &#8212; especially appealed to me. I don&#8217;t have any particular reason for liking it, no association with an event or place or anything like that. I just like the song&#8217;s sonic profile: the slow, mysterious intro, the confident middle portion that rises to a big dramatic climax&#8230; it&#8217;s just <em>cool<\/em>. <em><br \/>\n<\/em><\/p>\n<p>I&#8217;ve owned <em>Private Dancer<\/em> in several different formats over the years, and I still listen to it fairly often, although apparently not recently, because it gave me a bit of a start, followed by a big smile, to hear &#8220;Better Be Good&#8221; this morning as I crossed the plaza below my office building on the way into work. I&#8217;ve been humming it all day.<\/p>\n<p>I don&#8217;t recall ever seeing the video before this afternoon; it&#8217;s not anything remarkable, but it is representative of the era, and Tina looks damn fine in her leather ensemble:<\/p>\n<p><iframe width=\"725\" height=\"544\" src=\"https:\/\/www.youtube.com\/embed\/qyU7BbQSm98?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Incidentally, the blond guy who comes out on stage toward the end is Cy Curnin, the lead singer of the band The Fixx, which scored a pretty massive hit of their own a year earlier with the song &#8220;One Thing Leads to Another.&#8221; He and The Fixx&#8217;s guitarist Jamie West-Oram (also seen in this video) performed on the <em>Private Dancer<\/em> album, a little factoid that probably would&#8217;ve blown my mind when I was 15 and insisting that the lines between rock and New Wave were very clear and impermeable&#8230; eh, what did I know?<\/p>\n<p>Hope your weekend will be good to you, folks&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When I was 15, I developed a mild obsession with the song featured in this week&#8217;s video; I recall a period of a several weeks when I listened to it every single morning as I got ready for school, doing the classic lip-sync-into-a-hairbrush routine. (The fact that I was &#8216;syncing a female vocalist didn&#8217;t matter [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[],"class_list":["post-7414","post","type-post","status-publish","format-standard","hentry","category-friday-evening-videos"],"_links":{"self":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/posts\/7414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/comments?post=7414"}],"version-history":[{"count":0,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/posts\/7414\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/media?parent=7414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/categories?post=7414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/tags?post=7414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}