{"id":588,"date":"2006-06-16T17:12:59","date_gmt":"2006-06-16T17:12:59","guid":{"rendered":"http:\/\/www.jasonbennion.com\/?p=588"},"modified":"2006-06-16T17:12:59","modified_gmt":"2006-06-16T17:12:59","slug":"interview_with_dennis_muren","status":"publish","type":"post","link":"https:\/\/www.jasonbennion.com\/index.php\/2006\/06\/16\/interview_with_dennis_muren\/","title":{"rendered":"Interview with Dennis Muren"},"content":{"rendered":"<p>If you&#8217;re at all interested in special effects in the movies &#8212; the techniques that enable the <i>Millenium Falcon<\/i> to fly and <i>Jurassic Park<\/i>&#8216;s T. Rex to run &#8212; then you probably know who Dennis Muren is. If you don&#8217;t, please allow me to introduce you: he was one of the founding members of <a href=\"http:\/\/www.ilm.com\/\">Industrial Light &#038; Magic<\/a>, the company that grew out of the team George Lucas assembled to do the effects (FX) work on the original <i>Star Wars<\/i>, and he&#8217;s since gone to help pioneer just about every major advancement in the field over the last three decades. He&#8217;s <a href=\"http:\/\/www.imdb.com\/name\/nm0613830\/\">worked<\/a> on an astounding string of groundbreaking, FX-heavy movies. He&#8217;s the first visual effects artist to be honored with a star on the Hollywood Walk of Fame. And he also made a cameo appearance in <i>Raiders of the Lost Ark<\/i> &#8212; he&#8217;s the Nazi agent who glances out from behind the <i>Life<\/i> magazine when Indy boards the China Clipper to begin his quest for the Ark.<\/p>\n<p><!--more--><br \/>\nThis is all preamble to an interesting <a href=\"http:\/\/www.wired.com\/news\/culture\/video\/0,71164-0.html\">interview<\/a> with him that I just found over at <a href=\"http:\/\/www.wired.com\/\">Wired.com<\/a>, in which he discusses the release of his very first movie project &#8212; a no-budget schlocker called <i>Equinox<\/i>, made when Dennis was only a teenager &#8212; on a <a href=\"http:\/\/www.criterionco.com\/asp\/release.asp?id=338\">Criterion Collection DVD<\/a>, as well as the transition from traditional FX technology to computer-generated imagery (CGI) and what we&#8217;ve lost by rushing to adopt all things digital. As a movie-buff who&#8217;s not entirely sold on the Brave New World of CGI, I found this passage especially resonant:<\/p>\n<blockquote><p>\nThe computer work today is so seamless, but it can be very cold. The trick is to make it feel handmade, like it&#8217;s not made by a machine, but by people using machines. A lot of folks doing effects can churn the material out, but they aren&#8217;t giving it any soul. Soul is inherent to the old style, the stop-motion and matte painting.\n<\/p><\/blockquote>\n<p>Hear, hear, Dennis! Those are my feelings in a nutshell, and they&#8217;re coming from a guy who works with CG himself. The rest of <a href=\"http:\/\/www.wired.com\/news\/culture\/video\/0,71164-0.html\">what he has to say<\/a> is equally honest and thought-provoking. Go have a look&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you&#8217;re at all interested in special effects in the movies &#8212; the techniques that enable the Millenium Falcon to fly and Jurassic Park&#8216;s T. Rex to run &#8212; then you probably know who Dennis Muren is. If you don&#8217;t, please allow me to introduce you: he was one of the founding members of Industrial [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-588","post","type-post","status-publish","format-standard","hentry","category-film-studies"],"_links":{"self":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/posts\/588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/comments?post=588"}],"version-history":[{"count":0,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/posts\/588\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/media?parent=588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/categories?post=588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/tags?post=588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}