{"id":364,"date":"2005-10-12T18:05:52","date_gmt":"2005-10-12T18:05:52","guid":{"rendered":"http:\/\/www.jasonbennion.com\/?p=364"},"modified":"2005-10-12T18:05:52","modified_gmt":"2005-10-12T18:05:52","slug":"wallace_and_gromits_home_is_go","status":"publish","type":"post","link":"https:\/\/www.jasonbennion.com\/index.php\/2005\/10\/12\/wallace_and_gromits_home_is_go\/","title":{"rendered":"Wallace and Gromit&#8217;s Home Is Gone"},"content":{"rendered":"<p>Bummer news for fans of Nick Park&#8217;s droll claymation creations (of which I am one, even though I haven&#8217;t gotten around to seeing the new Wallace and Gromit feature yet): the Aardman Animations studio in Bristol, England, has been utterly destroyed by fire. Casualties included the sets, props, and models from all three <a href=\"http:\/\/www.wallaceandgromit.com\">Wallace and Gromit<\/a> shorts (<i>A Grand Day Out<\/i>, <i>The Wrong Trousers<\/i>, and <i>A Close Shave<\/i>), as well as from Park&#8217;s Oscar-winning <a href=\"http:\/\/en.wikipedia.org\/wiki\/Creature_Comforts\"><i>Creature Comforts<\/i><\/a> series and the company&#8217;s first feature-length release, <i>Chicken Run<\/i>. Items from the Wallace and Gromit movie that was just released this past weekend, <i>The Curse of the Were-Rabbit<\/i>, were unharmed.<\/p>\n<p><!--more--><br \/>\nIt&#8217;s a disaster for the studio, but as Park himself points out, there are worse things:<\/p>\n<blockquote><p>&#8220;Today was supposed to be a day of celebration, with the news that <i>Wallace and Gromit<\/i> had gone in at No. 1 at the U.S. box office, but instead our whole history has been wiped out,&#8221; Aardman spokesman Arthur Sheriff said. &#8220;It&#8217;s turned out to be a terrible day.&#8221;<br \/>\n&#8230;<br \/>\nWallace and Gromit&#8217;s creator, Nick Park, said the earthquake in South Asia helped put the loss into perspective.<\/p>\n<p>&nbsp;<\/p>\n<p>&#8220;Even though it is a precious and nostalgic collection and valuable to the company, in light of other tragedies, today isn&#8217;t a big deal,&#8221; he said.<\/p><\/blockquote>\n<p>Read the complete story <a href=\"http:\/\/www.cnn.com\/2005\/SHOWBIZ\/Movies\/10\/10\/aardman.fire\/index.html\">here<\/a>, if you&#8217;re interested.<\/p>\n<p>For the uninitiated, Wallace and Gromit are charming characters brought to life through good old-fashioned (and painstaking) stop-motion animation. Wallace is a fairly daft human inventor who is constantly concocting ridiculous machines intended to make his life easier, but which never work quite right; Gromit is Wallace&#8217;s resourceful, heroic dog, who spends much of his time making sure Wallace doesn&#8217;t get pulverized by one of his own creations. The films in which these two star are delightful little pastries that combine timeless, Buster Keaton-ish sight gags with a gently British (but not <i>too<\/i> British) sense of humor. <i>The Wrong Trousers<\/i>, in particular, is a masterpiece; practically every frame is somehow informed by the old Hollywood classics. There are riffs on Hitchcock and film noir throughout as brave Gromit tries his best to stop a sinister penguin&#8217;s nefarious plans. The films are goofy, yes, but also very smart and warm-hearted. Sad to think that all the artifacts that created them have vanished from the earth&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bummer news for fans of Nick Park&#8217;s droll claymation creations (of which I am one, even though I haven&#8217;t gotten around to seeing the new Wallace and Gromit feature yet): the Aardman Animations studio in Bristol, England, has been utterly destroyed by fire. Casualties included the sets, props, and models from all three Wallace and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-364","post","type-post","status-publish","format-standard","hentry","category-film-studies"],"_links":{"self":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/posts\/364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/comments?post=364"}],"version-history":[{"count":0,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/posts\/364\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/media?parent=364"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/categories?post=364"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/tags?post=364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}