{"id":2743,"date":"2013-01-03T00:47:15","date_gmt":"2013-01-03T00:47:15","guid":{"rendered":"http:\/\/www.jasonbennion.com\/?p=2743"},"modified":"2013-01-03T00:47:15","modified_gmt":"2013-01-03T00:47:15","slug":"movie-review-jack-reacher","status":"publish","type":"post","link":"https:\/\/www.jasonbennion.com\/index.php\/2013\/01\/03\/movie-review-jack-reacher\/","title":{"rendered":"Movie Review: Jack Reacher"},"content":{"rendered":"<p><i><a href=\"http:\/\/www.jasonbennion.com\/wp-content\/uploads\/2014\/01\/jack_reacher-1.jpg\"><img decoding=\"async\" class=\"size-medium wp-image-2500 aligncenter\" alt=\"JACK REACHER\" src=\"http:\/\/www.jasonbennion.com\/wp\/wp-content\/uploads\/2014\/01\/jack_reacher-300x199.jpg\" width=\"300\" height=\"199\" \/><\/a><\/i><em>Jack Reacher<\/em> is the kind of movie I rarely encounter these days: a tight, <em>comprehensible<\/em> action\/detective thriller with both a heart <em>and<\/em> a brain, as well as some unexpectedly snappy dialogue that occasionally rivals the great exchanges of a classic 1940s <i>noir<\/i>. Tom Cruise plays the title character, a former military policeman who now exists as a vagabond, roaming from place to place in search of an understanding of what it is he spent his former life defending (i.e., he&#8217;s looking for America, as they used to say), and although he doesn&#8217;t invite trouble, it tends to find him anyway in the form of crimes to be solved and innocents to be protected. If that sounds familiar, it&#8217;s because this film is yet another variation on the theme that defined so many of the 1970s and &#8217;80s television series I&#8217;ve always loved, a dude wandering around helping people, and I thoroughly enjoyed it every frame of it.<\/p>\n<p>In large part, that&#8217;s because I was given the opportunity to actually <i>see <\/i>every frame. <em>Jack Reacher<\/em> eschews the hated shaky-cam cinematography and Cuisinart school of editing that has ruined other recent action films for me in favor of a more old-fashioned look. Fight scenes make sense, action is sequential and easy to follow (although no less visceral or brutal), and a car-chase scene between Reacher in a vintage Chevy muscle car and some Russian-mobster baddies in an Audi R8 is pure adrenaline-soaked pleasure, with no apparent CGI or editorial trickery, just two actual cars battling it out on real streets.<\/p>\n<p>The movie is adapted from the ninth book in a series of novels by the author <a href=\"http:\/\/leechild.com\/\">Lee Child<\/a>. In an echo of the controversy when Cruise landed the role of Anne Rice&#8217;s Lestat in <em>Interview with the Vampire<\/em>, many of Child&#8217;s fans have been grumbling about his casting &#8212; the literary Reacher is apparently a <i>very <\/i>different physical type &#8212; but I thought Tommy-boy inhabited the character well. In fact, this is the most I&#8217;ve enjoyed his work in a very long time. The slightly creepy blankness he&#8217;s displayed in most of his recent films is absent here, and I was reminded of the talented, charismatic movie star I used to think he was before he became the Church of Scientology&#8217;s couch-jumping poster child.<\/p>\n<p>Honestly, I&#8217;d love to see him play this character again. I never really got into the <em>Mission: Impossible<\/em> series, but I wouldn&#8217;t mind <em>Jack Reacher<\/em> becoming an ongoing franchise&#8230;<\/p>\n<p><b>\u00a0<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jack Reacher is the kind of movie I rarely encounter these days: a tight, comprehensible action\/detective thriller with both a heart and a brain, as well as some unexpectedly snappy dialogue that occasionally rivals the great exchanges of a classic 1940s noir. Tom Cruise plays the title character, a former military policeman who now exists [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,18],"tags":[],"class_list":["post-2743","post","type-post","status-publish","format-standard","hentry","category-film-studies","category-reviews"],"_links":{"self":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/posts\/2743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/comments?post=2743"}],"version-history":[{"count":0,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/posts\/2743\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/media?parent=2743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/categories?post=2743"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jasonbennion.com\/index.php\/wp-json\/wp\/v2\/tags?post=2743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}