{"id":10410,"date":"2020-09-16T15:19:38","date_gmt":"2020-09-16T21:19:38","guid":{"rendered":"http:\/\/www.jasonbennion.com\/?p=10410"},"modified":"2020-09-16T15:19:38","modified_gmt":"2020-09-16T21:19:38","slug":"a-song-by-an-artist-whose-voice-you-love","status":"publish","type":"post","link":"https:\/\/www.jasonbennion.com\/index.php\/2020\/09\/16\/a-song-by-an-artist-whose-voice-you-love\/","title":{"rendered":"A Song By An Artist Whose Voice You Love"},"content":{"rendered":"

30-Day Song Challenge, Day 28: A Song By An Artist Whose Voice You Love<\/strong><\/p>\n

An artist whose voice I love? Well, let’s see… I already used the Bangles way back at Song Number 9, so Susanna Hoffs is out. How about…<\/p>\n

Mary Chapin Carpenter.<\/p>\n

You might remember her from a string of hits on the country charts back in the early ’90s that included “Down at the Twist and Shout,” “Passionate Kisses,” “I Feel Lucky,” “He Thinks He’ll Keep Her,” “I Take My Chances,”\u00a0 and her biggest seller, the number-one favorite “Shut Up and Kiss Me<\/a>.”<\/p>\n

Despite these successes, though, mainstream country was never a great fit for Chapin — I call her Chapin; I have no idea if anyone else does or if she would be cool with it — especially at that particular moment when her contemporaries tended to be glammed-up dollies like Reba McEntire and Faith Hill. By contrast, Chapin has always seemed to be most comfortable in a flannel shirt and a ponytail, and neither her speaking nor singing voice has the slightest trace of a twang. She took five years off in the late ’90s, but since the turn of the century — man, that still<\/em> sounds weird! — she’s been recording and releasing new music that has moved farther and farther away from the country genre, both in sound and subject matter. Today, it’s probably best to describe her simply as a singer-songwriter whose work comprises literate meditations on aging, politics, and contemporary events. Sounds pretentious, but her music always<\/em> had an intellectual edge, which is partly why I like her. Her lyrics are smart and often include striking imagery, as well as unexpected flashes of humor, even when the subject matter seems heavy. She’s a storyteller, which isn’t that unusual among singer-songwriters or country musicians, but the way in which she tells her stories are uniquely her own, and as a wannabe storyteller myself, I admire that.<\/p>\n

As to her voice, it can be sexy on the right song, but mostly it’s warm and smooth. The cliche’d description would be “like honey,” but cliche or not, that’s what it reminds me of. Especially on the song I’ve selected for this post, which is the introspective title track from her 1994 album Stones in the Road<\/em>, the same one that yielded the playful “Shut Up and Kiss Me.” This one refers to historical events that would have more resonance for Baby Boomers than my own age demographic, but I still relate to the overall mood and themes, and I love the final verse about what becomes of those innocent children when they hit working age.<\/p>\n

“Stones” was not released as a single, so there’s no official video for it. There are some live performances on YouTube, but I really like the sound in the studio version you’ll hear here. Chapin didn’t do many videos in any case; much like the glamorous hair and dresses, she never seemed comfortable doing them. It’s probably for the best anyhow. Just close your eyes and pay attention to the words she uses…<\/p>\n