{"id":10283,"date":"2020-07-22T23:44:15","date_gmt":"2020-07-23T05:44:15","guid":{"rendered":"http:\/\/www.jasonbennion.com\/?p=10283"},"modified":"2020-07-22T23:44:15","modified_gmt":"2020-07-23T05:44:15","slug":"a-song-from-the-year-you-were-born","status":"publish","type":"post","link":"https:\/\/www.jasonbennion.com\/index.php\/2020\/07\/22\/a-song-from-the-year-you-were-born\/","title":{"rendered":"A Song From the Year You Were Born"},"content":{"rendered":"

30-Day Song C<\/strong>hallenge, Day 18: A Song From the Year You Were Born
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I can do one better than just a song from the year<\/em> I was born. How about an old favorite that was in fact released the very month<\/em> I was born?<\/p>\n

“Fortunate Son” by Creedence Clearwater Revival came into the world about the same time I did, in September of 1969, as the B-side to another of the band’s big hits, “Down on the Corner.” On its own, “Fortunate Son” would peak at #14 on the Billboard<\/em> chart two months later. But then something interesting happened: Billboard<\/em> changed its methodology for tracking double-sided hit records, i.e., 45-rpm singles that had a hit song on both sides, which wasn’t unusual at the time. (Creedence, in fact, released a number of these “twofer” records over the next couple of years.) That change meant that “Fortunate Son,” now in combination with “Down on the Corner,” continued to climb the charts, the two of them together finally reaching #3 on December 20, 1969. I was three months old.<\/p>\n

The song is widely understood to have been a protest against the Vietnam War, as that’s the backdrop it was conceived and released in, and that impression has been reinforced over the decades by its use in Vietnam War-themed movies (Forrest Gump<\/em>) and video games (Battlefield Vietnam<\/em>), and even in politics (John Kerry’s 2004 presidential campaign appropriated the song to try to illuminate the difference between Kerry — who served in ‘Nam — and incumbent George W Bush, who did not). But “Fortunate Son” never actually mentions Vietnam; it’s really more of a primal scream about class and the way the wealthy play by different rules than people who work for a living, which is a far more universal — and sadly unchanging — theme. And that, I believe, explains why you still hear “Fortunate Son” five decades later and why it still feels relevant when you do. I mean… when was the last time you heard the “Fixin’-to-Die Rag<\/a>” by Country Joe and the Fish? The Creedence tune, on the other hand, is probably playing on your local classic-rock station right now, or at least it will be in the next 30 minutes or so.<\/p>\n

Besides being just a great, catchy rock-n-roller, the song has special resonance for me. My career is far removed from my dad’s life as a diesel mechanic at an open-pit copper mine, but I still tend to identify with my blue-collar roots. And after some of the experiences I’ve had dealing with people who very obviously thought themselves to be my “betters,” I have a somewhat jaundiced view of what wealth does to a person’s character. The song’s refrain of “it ain’t me” could be my own personal motto… and it’s one I find myself wanting to shout from the rooftops more and more often these days.<\/p>\n

But that’s beyond the scope of this particular post, so let’s just enjoy the song, shall we? The clip below is the official video released just last year for the song’s 50th anniversary, and as you can see, it’s less a protest against war or an indictment of the 1% than it is a celebration of salt-of-the-earth types of all<\/em> descriptions. In the end, maybe that’s the strongest protest\u00a0 of all, just showing the real<\/em> America — rural, urban, black, white, native, immigrant — all of us just doing the best we can, in spite of the guys at the top…<\/p>\n