While reading an interview with Kurtwood Smith (a.k.a. Red Foreman, the greatest TV dad ever) the other day, I ran across a bit of pop-cultural flotsam that is so drenched in the atmospherics of the early 1980s, I can smell the Drakkar Noir through my monitor:
Let’s count the MTV-inflected cliches — er, tropes, rather, let’s call them tropes — of low-rent ’80s action shows, shall we? You’ve got throbbing synth music, ground-level camera angles, rain-slicked asphalt reflecting light and color, and a generic urban-alley setting. You’ve got the “hero walk” coming out of a completely unexplained back-light as the electric guitars crash in. There’s a cast that’s downright painful in its self-conscious diversity-by-design (i.e., token black guy, token Asian guy — who’s a martial artist, naturally — token Latino, token woman), all of them with cool(ish) names like “Bandit,” “Eagle,” “Dragon,” “T.J.,” “Dancer,” and “Gaucho.” All except for the woman, who shares the same name as the actress who plays her — “Tracy” — because, well, I guess because chicks don’t get cool street names. And of course we’ve got the cops who have to ride herd over this bad bunch: the hard-as-nails captain who thinks this whole deal is a bad idea, and the slightly more forgiving lieutenant who’s kind of amused by his captain’s discomfort and will no doubt become a father figure to these misunderstood street kids, these… renegades. You stir all of those elements together and you’ve got a show that put the awesome in the Awesome ’80s.
Except I don’t remember a second of it. And neither do you. Don’t tell me you do, either, because we both know you really don’t.
The Renegades — not to be confused with the Lorenzo Lamas vehicle Renegade, which aired in syndication a decade later — lasted all of six episodes during the 1983 television season. According to a scant Wikipedia entry, the show was inspired, in part, by the 1979 cult classic The Warriors. and also perhaps by a 1981 TV-movie starring Patrick Swayze called Return of the Rebels. The premise of The Renegades must’ve seemed pretty shopworn even in ’83: a street gang becomes undercover agents for the cops to avoid jail time. Precisely the sort of hackneyed stuff that The Simpsons and Married… with Children would be making fun of by the end of the decade. But honestly what I find really fascinating about The Renegades isn’t this show itself, but rather all the talent that survived it and went to bigger and better things.
Most prominent, of course, is Swayze, who had already appeared in Coppola’s adaptation of The Outsiders at this point, but was still a couple years away from his breakout roles in the jingoistic Cold War wankfest Red Dawn (1984) and the TV miniseries North and South (1985). Following those successes, he’d achieve matinee-idol immortality with Dirty Dancing (1987), Ghost (1990), and that basic cable favorite Road House (1989).
Tracy Scoggins has worked regularly in both television and feature films for decades, appearing on TV series ranging from The Fall Guy, Manimal, and TJ Hooker in the ’80s to Doogie Howser, MD, and Highlander (among others) in the ’90s, right up to a role last year in Castle. She’s well-known to sci-fi fans as Captain Elizabeth Lochley in the final season of Babylon 5 and its various spin-off properties, as well as for a regular part on Lois and Clark: The New Adventures of Superman.
Brian Tochi was a busy child actor during the ’70s (he was a regular on the Saturday-morning live-action series Space Academy, one of my favorites back in the day). Following The Renegades, he appeared in Revenge of the Nerds and a couple of Police Academy sequels, as well as various episodic TV gigs, but he increasingly shifted into voice work, acting in a slew of animated series and, most notably, providing the voice of Leonardo in the original live-action Teenage Mutant Ninja Turtle movies.
Randy Brooks has likewise done a lot of episodic TV, and was a regular on The West Wing from 2000-05. He was also in Reservoir Dogs.
And Kurtwood Smith, the man who started me down this rabbit hole in the first place, was four years away from playing the most despicable street thug ever, Clarence Boddicker, in the original RoboCop. For a long time, he was Clarence to me, no matter what he played. Then came That 70s Show, one of the funniest sitcoms ever, in my opinion. And now he’s Red to me. Forever. He’s currently part of the ensemble on ABC’s Resurrection, a series I have never seen. But he’s still Red.
There was a lot of behind-the-scenes talent on The Renegades, too. The show’s executive producers, brothers Lawrence and Charles Gordon, along with director Roger Spottiswoode and screenwriter Steven de Souza, would collaborate together again when they created the movie that made Eddie Murphy a superstar, 48 Hrs., and then a few years later the Gordons and de Souza really hit one out of the ballpark by launching the Die Hard franchise.
Oh, and it also looks to me like The Renegades might have been an influence on 21 Jump Street, which had a similar look and premise to this and helped get the fledgling Fox network off the ground, not to mention bringing a young actor named Johnny Depp into the spotlight.
Not bad for a cheesy misfire that nobody remembers, eh? It makes me wonder how many other bad and forgotten shows were an unlikely nexus of future success?



