Deep Impact Succeeds!

Hi, kids — I hope everyone out there in InternetLand had a good Fourth of July. The folks at the Jet Propulsion Laboratory certainly did. Their Deep Impact space mission (which I previewed for you a month ago) went off without a hitch, slamming its impactor probe into the comet Tempel 1 just before midnight Salt Lake time on Sunday, July 3rd. The boom resulting from an object the size of a washing machine connecting with an object half the size of Manhattan Island at roughly 23,000 miles an hour apparently surprised even the people who designed the probe:

Big ba-da-comet-boom!

The collision was photographed by the Deep Impact “fly-by spacecraft” (which, conveniently enough, is also the vehicle that released the impactor) as well as the Hubble telescope and a number of other probes, satellites, and observatories. As a result, the Internet today is awash in cool images like the one above. There’s even video taken from the impactor as it approached its final destination. Think back to those missile-cams that so impressed us back during the ’91 Gulf War and you’ll get the idea. If you’re interested in this stuff, you’ll want to start with the mission home page, which includes a gallery of images, video, animation, and artwork. There’s also lots of information about the impactor and the flyby spacecraft, Tempel 1 and comets in general, the technology used to make this happen, and the reasons why scientists thought it would be a good idea to deface one of the other objects in our solar system.

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The Demolition of the Hand-Me-Down World

I see in the paper this morning that another local landmark, the old Geneva Steel mill, has fallen in the name of progress.
Now, before you start thinking my unquenchable sense of nostalgia has finally gotten the better of me and caused me to abandon all sense of perspective, let me state for the record that I’m not especially sentimental about decaying old industrial sites. Geneva was ugly when it was in operation, filling the skies of Utah County with orange haze and dumping god-only-knows into Utah Lake, and it was twice as ugly after it ceased operation and commenced to rotting. In addition, it was located in the next valley south of mine, so it’s not like I was seeing it every day and acquiring the affection that comes through constant familiarity. Still, it was familiar, if not intimately so, and its demolition is just one more step in the on-going process that is erasing the landscape I grew up with.

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Fasten Your Seatbelts…

Sandra Day O’Connor announced this morning that she’s retiring from the Supreme Court. I am now filled with dread anticipation for what the tone of the rest of this summer will likely be.

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Bennion’s Most Memorable Movie Quotes

No list-by-committee like the AFI’s Top 100 Whatevers is going to completely reflect any one person’s individual tastes. Given that this here blog-thingie lets me write about any damn thing I want to, I thought I’d supplement the previous entry with some of my own personal favorite movie quotes that didn’t make the “official” list. I present them in no particular order…

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AFI’s Top 100 Movie Quotes

I don’t how this slipped past me, but it seems the American Film Institute has released another of those “Top 100 Something-or-other” lists, specifically (as the title of this post indicates) the 100 Greatest Movie Quotes of All Time.
This particular list is a good one, conversationally speaking, because it’s a subject that most everyone is qualified to comment on. Everybody seems has a favorite line from something, and it seems to me that trying to stump one another with obscure bits of dialogue has replaced charades as the most popular form of party entertainment in our culture today, at least in the circles in which I run.

I’m going to spare myself the trouble of retyping and/or reformatting the list, so you may want to go have a look at it on your own. Come back here when you’re finished, I’ll be waiting with a few thoughts…

Are you back? Great, then let’s discuss…

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Shelby Foote

After reading the previous entry, a friend of mine e-mailed to let me know of someone else whose passing is worth noting: Shelby Foote, the soft-spoken Southern novelist and historian who became a minor-league celebrity after appearing in the landmark PBS series The Civil War. Foote died Monday at the age of 88.

The general style of Civil War director Ken Burns — a slow pan across or zoom into an ancient photograph, accompanied by appropriate sound effects and actors reading from letters, diaries, and such — has become so much the de facto standard for historical documentaries that it’s hard to remember what an impact The Civil War really had back in 1990. I think it still stands as the highest-rated program ever to air on PBS, and I myself was utterly spellbound by the series. I’ve always been interested in this conflict anyway, but Burns and his talented cast of voiceover artists and subject-matter experts brought it to life in a way I’d never experienced before. Not the ersatz life of even the best fictional movie, in which you’re always aware that you’re watching modern people pretending to inhabit another era, but a sense of what things were really like in the early 1860s. I felt so in touch with the lives of the people being discussed that, at times, I almost expected the black-and-white photos that comprised most of the series to begin moving. It was like they were merely some sort of membrane between now and then, and if you just knew how to push, you could break through and see, hear, and smell everything that was.
Foote’s presence in The Civil War no doubt contributed greatly to this effect. According to his obituary in the New York Times, he appeared on-screen no less than 89 times during the 11-hour series. He had a knack for storytelling, and for breathing life into individuals who were formerly nothing more than meaningless names in a textbook. His mission was to make men like Lee and Grant human, to strip away the marble that now encases them and turn them back into the sweating, fallible, heroic, miserable people they actually were. That mission dovetailed nicely with Ken Burns’ goals, and the end result was one of the greatest pieces of documentary filmmaking I’ve ever seen. As Burns himself has been quoted as saying, “[Shelby Foote] made the war real for us.”

If you want to read more, that Times article on Mr. Foote is the most complete I’ve found. You’ll probably have to register to see it, but I think it would be worth your trouble. As for me, I’m thinking that I may stop by Barnes and Noble tomorrow afternoon and see if I can pick up Foote’s own history of the war… all three volumes of it. Hey, it’s summertime; I could use a little light reading.

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A Sad Day at Pooh Corner…

Well, here we go again… two more fine character actors that none of my readers will recognize by name have passed away. Oddly, both John Fiedler and Paul Winchell, who died within 24 hours of each other, are best known for working on the same projects, specifically Disney’s “Winnie the Pooh” films. Winchell, who died Friday at the age of 86, was the voice of Tigger from 1968 until 1999, and it was he who coined Tigger’s memorable catch-phrase “ta-ta for now!”

Meanwhile, Fiedler, who was 80 when he left us on Saturday, continued to play Pooh’s gentle little buddy Piglet right up to this year’s entry in the long-running franchise, Pooh’s Heffalump Movie.

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Congratulations to Keith and Danielle

I’ve just received word that one of my oldest friends in the world — by which I mean the friends I’ve known for the longest time, not those friends who are actually old — became a father last weekend. Keith Jensen’s daughter Aubrey Elise entered the world on Saturday, June 18, and she and Keith’s wife Danielle came home the following Tuesday. Presumably mother and daughter are both doing fine, and in the photos he e-mailed me, Keith himself looks like a new daddy should — somewhere between busting with pride and wondering what the heck he’s gotten himself into. (Just kidding! Mostly he looks very happy, and I’m happy for him and Danielle.)

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The Political Gene?

Here’s an interesting idea: a new study indicates that people’s political leanings may be genetic in origin. The researchers behind this study are not suggesting that we’re all destined to belong to a particular party or that we’re programmed from birth like little politibots, just that we may be drawn by nature towards a particular side of the spectrum. In other words, our genes pre-dispose us towards being conservative or progressive, and then our upbringing and unique life experiences shape our opinions on specific issues. The real fun seems to occur when someone’s innate inclination clashes with their family’s expectations and affiliations. (The study was intended partly to figure out why people defect from the parties in which they were raised, such as when the children of staunch Republicans become hippies, or vice versa. While some of that behavior can be chalked up to youthful rebellion, there are plenty of cases where children just plain think differently from their parents for no apparent reason, which makes little sense if you believe that our attitudes are entirely shaped by “nurture” without some element of “nature” being involved.)

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Terribly Amusing Zombie-related Item

Long-time readers may recall my fondness for the movie Shaun of the Dead, which was one of my top-five favorite films last year. Or, at least, it would’ve been, if I’d ever gotten around to compiling a top-five list. What can I say? Procrastination is my greatest vice.

Anyhow, I’m not generally a big fan of zombie movies, but Shaun was an amazing little feat of filmmaking — it stayed faithful to all the zombie-movie tropes while also subverting them for the purposes of humor and character development. It was a smart and entertaining love letter from its creators to the genre that it was spoofing. Now the creator of that genre is thanking the creators of Shaun in a very wonderful way. Here’s the relevant paragraph from an LA Times interview with George Romero, writer/director of the seminal zombie film Night of the Living Dead and the upcoming Land of the Dead (which opens Friday, if that’s your thing):

There were the pilgrimages of fans trekking to Toronto last winter for the freezing, all-nights “Land” shoot to fulfill lifelong dreams of being a Romero zombie. Two of those were Edgar Wright and Simon Pegg, who created last year’s respectful zombie spoof “Shaun of the Dead,” which Romero loved. “They’re the zombies at the photo booth,” tips Romero to their cameo in the film. “They shot their own little film [while] on set, and it’s going to be on the DVD.”

For the record, Simon Pegg played the title character in Shaun of the Dead and co-wrote the film with director Wright.
I just love this kind of intertextual stuff — in-jokes, homages, tributes, and “guest appearances” almost always make me smile. They’re like a wink-and-a-nod to the informed viewer (or reader, in the case of novels) that acknowledges the whole wide body of material out there and reminds us that it all relates on some level or other. I know this sort of thing bothers some people, but I think it’s fun. Almost fun enough to consider seeing Land of the Dead just for that half-second glimpse of my old buddy Shaun…

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