When the series 24 premiered way back in 2001 (has it really been that long ago? Wow…), I thought it was brilliant, inventive, exciting, and, above all, grown-up television. Yeah, the plot was full of holes when you viewed it from the mile-high, all-season-long perspective, and the show suffered a bit from the “one-damn-thing-after-another” quality of the cliffhanger serials from which it descended. But when taken episode by episode, 24 was (and still is, despite its flaws) compellingly watchable, suspenseful storytelling that makes a strong argument for serialized TV drama being the modern-day equivalent of Dickens’ episodic novels.
I’ve loyally stuck with 24 for the past five seasons, but I must admit that I’ve done so with an increasing sense of discomfort. My growing ambivalence for the show is partly a result of the inevitable decline that comes as any TV series ages out — in other words, the concept is just getting tired — but a much bigger issue for me is the question of torture.
