Daily Archives: May 7, 2020

Salt Lake’s Best Rock

Oh my hell…  in the previous entry, I mentioned remembering a TV ad for a Salt Lake radio station that used the opening drums from Zeppelin’s “Rock and Roll,” right? So guess what I just just ran across on YouTube? The stuff you can find out there on the interwebz never fails to amaze me…

Incidentally, if you’re interested, I also found this brief history of the station as I was wandering cyberspace trying to confirm my fading memory, written by a dude named Paul Wilson in 2005:

CITADEL – KBEE-FM

In 1947, Salt Lake City had only two commercial FM stations…at 100.3 (Bonneville’s KSL-FM) and 98.7 (what is now KBEE-FM).  In the early 1970s, KCPX-FM (at 98.7) was known as “Stereo X” and was the home of a wide-ranging free-form album rock format…but under the direction of KCPX Program Director Gary Waldron, by the end of the 70’s the station had evolved into “Real Rock 99 FM”.  The playlist was short (only a couple hundred songs) and it quickly became the market’s top-rated station, combining the laid-back presentation of album rock with tight top 40 rotations a decade before Pirate Radio spawned the term “Rock 40”.  As the 80’s began, the station hired a full staff of announcers and “99FM” continued to dominate the market.  I was fortunate enough to hold the 7-midnight shift for nearly four years, until the musical pendulum swung back toward pop music and the station evolved again.  By 1984 there was a new crew of jocks, the format was CHR and “Hitradio 99” again dominated the market.  Screen Gems/Columbia Pictures had owned the KCPX stations (AM, FM and TV) for a number of years but sold the TV station in the mid 70s.  In the mid 80s they sold the radio stations to John Price, a Salt Lake based contractor best known for building massive shopping malls.  Under Price, the station evolved into “Power 99” and finally to AC as KVRY (Variety 98.7).  The historic KCPX letters were parked on a small AM station in Centerville for about twenty years (more on that later).  Price eventually sold the stations to Citadel; the format remained AC but the call letters were changed to KBEE (B98.7), which is how the station is known today.

Incidentally, it’s been 15 years since that was written, but KBEE B98.7 is still around, now owned by Cumulus Media and playing an adult contemporary format, i.e., mainstream soft rock. I rarely listen to it.

spacer

A Song That Needs to Be Played Loud

30-Day Song Challenge, Day 5: A Song That Needs to Be Played Loud

“Rock and Roll.” Led Zeppelin. ‘Nuff said.

Oh, okay, fine, you know me better than that. I’ve almost always got more to say…

“Rock and Roll” comes from Zeppelin’s fourth studio album, commonly known as Led Zeppelin IV or ZoSo (owing to one of the arcane symbols on the record’s label; it’s a long story), although the LP was technically untitled. That’s the album with “Stairway to Heaven,” the one most likely to be owned by people who kinda-sorta like Zeppelin but haven’t gone into full-blown fandom. The song is a tribute to the early days of the rock genre: It opens with a speeded-up version of the drumline from the Little Richard oldie “Keep A-Knockin'” (fans of the movie Christine ought to know that one!) followed by a guitar riff that was supposedly an homage to Chuck Berry, and then nostalgic lyrics that speak of (among other things) “The Stroll,” a 1958 dance tune, and “Book of Love,” a hit record for The Monotones, also from 1958. While it was never formally released as a single for consumer sales, the song was distributed in the US as a promotional single, meaning it was was sent to radio stations for airplay, and it quickly became a staple in that venue. (I remember a local Salt Lake station, Rock 99, used the opening of the song for its television commercials; I was familiar with that ferocious drumbeat long before I ever heard the complete tune, or for that matter, had even heard of the band!)

The song was also a favorite during live performances starting from around the time of IV‘s release in 1971 until the band’s breakup in 1980. Having become one of Zeppelin’s signature tunes, it was naturally part of their brief reunion set at Live Aid in 1985 and again at the reunion shows at London’s O2 Arena in 2007. The video clip I’m posting here is from their performance at Madison Square Garden in 1973, when the band was at the peak of its powers. (It appears in the concert film The Song Remains the Same.)

Personally, I tend to run hot and cold on Zeppelin. I really love some of their stuff, and I’m really put off (and sometimes even bored) by other things. But from my early teens, this has been a song I truly love. Its energy is undeniable — I can’t resist shaking my head to it even nowadays when serious headbanging gives me a headache — and I love its reverence toward the genre’s childhood, even as it twists and warps the sound into something Little Richard probably never could have imagined. Come to think of it, though, that was Zeppelin’s whole thing, really… they were essentially playing the blues, just really loud and distorted blues.

One final thought before the video: The song has been covered many times by artists ranging from Heart (their version is intense… Ann Wilson is possibly the only woman in rock whose voice matches the soaring power of Zeppelin’s Robert Plant) to Great White, Van Halen, John Waite, Stevie Nicks, the Foo Fighters, and, most improbably, Alvin and the Chipmunks. I’m really trying to wrap my head around that one.

And now… turn it to 11, kids!

 

 

spacer

Gerrold on Gehry

From a Facebook post by David Gerrold, science-fiction writer of some note and resident of Los Angeles:

If there is one architect I dislike more than Frank Lloyd Wright, it is Frank Gehry, the designer of the Walt Disney Concert Hall and other curlicued atrocities.

The man doesn’t care about how his buildings will fit into the space, how they will relate to their surroundings — which is why the concave mirrors on the Disney Hall had to be toned down because they were focusing the sun’s rays on surrounding buildings and causing serious heating problems.

His buildings make no sense to the eye. They’re like a dropped pile of saucepan covers. And once inside the Disney Hall, it’s a beautiful maze. It’s too easy to get lost and forget which exit will get you to where you parked your car. You can’t find the exit and you always come out on the wrong side of the maze.

The first priority of a concert all is to have great sound. After that you design around that space.

A building should be more than a monument to the architect.

The jibe at Frank Lloyd Wright aside — I quite like Wright’s work myself, although I recognize that a place like Fallingwater is very impractical for the way most people actually live — Gerrold perfectly articulates my own feelings about Gehry. His work offends me in some deep, admittedly irrational way. I’m so glad that Gehry project proposed for just a few miles down the road from my house appears to have fallen through…

spacer

Better Government in Charity than Indifference

“Governments can err, presidents do make mistakes, but the immortal Dante tells us that divine justice weighs the sins of the cold-blooded and the sins of the warm-hearted in different scales. Better the occasional faults of a government that lives in a spirit of charity than the consistent omissions of a government frozen in the ice of its own indifference.”

— President Franklin Delano Roosevelt (one of my personal heroes) in a speech accepting renomination for the presidency, June 27, 1936

spacer